Seafarer · Author · Pilot
Three novels. An album. A children's fable. A musical. Written between watches, at altitude, and at anchor.
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Fiction
Three works of fiction. Each one shaped by the experience of watching institutions fail, and refusing to look away.
Original Music
Seventeen tracks. Click any to play.
Musical Theatre
A new musical. In development.
Official Trailer — Wrong Roof: The Musical
Synopsis
“God cancelled the Apocalypse. Wrong address. Missed the slot. Corporate unpreparedness.”
Heaven's end-of-world project hits a catastrophic administrative error — the Armageddon is triggered at the wrong address, missing the scheduled slot entirely. In the chaos that follows, something extraordinary happens: the Catholics were right. The Muslims were right. Everyone was right. Every faith, every tradition, every quiet believer who ever wondered — all of them, simultaneously, correct.
And then the boss changes his mind. Spins the wheel a little bit more.
The Record
The creative work above did not emerge from nowhere. It emerged from this.
Podcast — In Their Own Words
Nine minutes and fifty-four seconds. Thirteen audio clips. A documented record of contradictions, admissions, and institutional failure — presented without commentary, in the voices of those involved.
In 2024, a false allegation was made against a professional seafarer, author and pilot. The allegation was made by a woman with documented connections to a network later identified as operating in the tradition of occult practice. Her husband, a man with a history of violence, simultaneously denied the allegation in recorded audio.
West Midlands Police refused to record the crime. Over the course of a 52-minute call, officers declined to open a case file. The complainant was told, in effect, that the evidence did not matter. No investigation was opened. No file was created.
The accuser had, during the period she later described as being “held hostage,” made calls planning dinner arrangements and discussed a Masonic grant application. Her husband — in his own voice, in a recorded message — explicitly denied that any rape had occurred. These recordings are presented below.
A Subject Access Request to West Midlands Police revealed that a silent investigation had been conducted without the knowledge or involvement of the subject. Data protection files confirmed this. The full documented record is available at policeshame.com.
Audio Evidence
Exhibit 01 — The “Hostage” Claim
The accuser later claimed she was held against her will. This recording, made during that same period, captures her calmly planning a dinner and discussing a Masonic grant application — in her own voice.
Exhibit 02 — The Rape Denial
In a recorded message, the accuser’s husband — the man who would have been the primary witness to any alleged assault — explicitly states that no rape occurred. This recording predates any formal complaint.
Exhibit 03 — Police Failure
A 52-minute call to West Midlands Police in which officers refuse to open a crime file despite being presented with evidence. The call documents, in real time, the institutional failure at the heart of this case.
Exhibit 04 — Violence Admission
A recorded admission in which the accuser’s husband acknowledges a history of physical violence, including beating the subject to the floor and launching objects. Made in his own voice, unprompted.
Exhibit 05 — Accountability Question
A recording in which the question of why the violent party has not been arrested is put directly to those involved. The response, or lack of it, speaks for itself.
Exhibit 06 — Voicemail Record
A voicemail left by the accuser’s husband on 6th May 2025. The content of this message, considered alongside the formal allegation made against the subject, raises questions about the credibility and motivation of the complaint.